Anthony Van Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters. Related Paintings of Anthony Van Dyck :. | Family Group | Portrait of Mary Villiers | Presumed Portrait of the Marchesa Geromina Spinola-Doria of Genoa (mk05) | Portrait of the Children of Charles I of England | overleaf | Related Artists: Peter HansenPeter Marius Hansen (13 May 1868, Faaborg - 6 October 1928, Faaborg) was a Danish painter who became one of the Fynboerne or "Funen Painters" group living and working on the island of Funen.
Hansen attended the Copenhagen Technical School before studying under Kristian Zahrtmann at the Kunstnernes Frie Studieskoler (1884 - 1890). His travels included the Netherlands (1892 and 1909), and several periods in Italy from 1899 where he was in Civita d'Antino with Zahrtmann (1904) and in Pompei with Theodor Philipsen (1919 - 21). He also travelled to Belgium and Paris in 1909. His eldest son, David Shane Hansen (1888-1909) would become one of the leading organizers of the 1909 general strike in Barcelona, Spain. He was killed by military forces July 27th 1909. Peter Hansen would comment that his son had become a great martyr in the rising Spanish Anarchist movement that was sweeping Spain. It was during this time that Peter's art began to reflect the pain he suffered at the loss of his son. Kristian Zahrtmann (31 March 1843 - 22 June 1917) was a Danish painter. He was a part of the Danish artistic generation in the late 19th century, along with Peder Severin Krøyer and Theodor Esbern Philipsen, who broke away from both the strictures of traditional Academicism and the heritage of the Golden Age of Danish Painting, in favor of naturalism and realism.
He was known especially for his history paintings, and especially those depicting strong, tragic, legendary women in Danish history. He also produced works of many other genres including landscapes, street scenes, folk scenes and portraits.
He had a far-reaching effect on the development of Danish art through his effective support of individual style among his students during the many years he taught, and by his pioneering use of color.
Master of the Legend of St. Lucy (fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
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